Artist Bio

Creating oil paintings of serene blue skies and vibrant tree branches Valina Diane DiGiacomo has explored the relationship between static and dynamic for over 20 years. Diane’s current creative medium of clay results in sculptural ceramic forms that unite opposites into a dynamic whole. Influenced by nature and classical ceramic forms, she uses such visual elements to illustrate the vibrant interaction between calm and active states. Exemplifying the strength and importance of unification, her sculptures combine wheel thrown and hand built forms using matte and glossy glazes with a variety of textures and colors.

Diane received her BA in Visual Art Studies from the University of Texas and received her MA in Ceramic Arts at Hood College. She has taught art to elementary, middle, and high school students for over 10 years. Born in Dallas, TX, Diane lives with her family in Charlottesville, VA

If you close your eyes and visualize twilight you see the fading of the day and the start of night, two opposites overlapping to create a unique moment.  Conflict defines opposition, yet the engagement of two opposing properties creates an incredible energy. Carl Jung says, “It has become abundantly clear to me that life can move forward along the path of the gradient. But there is no energy unless there is no tension of opposites.” My sculptural pieces  explore such dynamic relationships by uniting opposing colors, surfaces, and textures. Nature draws me in with its vibrant colors, cycle of life, and variety. My abstract assemblages bring together the opposites I explore. Wheel thrown, classical vases anchor erupting organic pods. Two individual forms that represent my structured Catholic upbringing and my creative spirit.

These opposites resonate within me, creating a voice that sees more than one answer to most questions. Representing this dueling dynamic has always been part of my art. The diversity of the top and bottom pieces represents my ability to appreciate multiple viewpoints, argue both sides of a discussion, and bring together different ideas. The use of white clay in the base and the top not only unify the sculptures, but also provide a neutral surface for the glaze and slip colors to shine. Opposites unite in many ways, such as flowing, irregular glaze colors on symmetrical vase forms, glassy and matte surfaces, as well as smooth and rough textures. Using green in the stable base forms echoes the green plant that supports the colorful, flamboyant flower. The engaging sculptures move and interact with their static environment, making a powerful statement.

handcrafted ceramics

I hope you enjoy my ceramic forms I craft using stoneware clays fired to cone 6 using an electric kiln. Each piece on this site is individually formed and contains slight variations.